tag:blogger.com,1999:blog-41808302256232033972024-03-12T16:22:22.531-07:00Harold MackanimatorJan-Willem de Vrieshttp://www.blogger.com/profile/10899315444045011619noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-4180830225623203397.post-24898562568488202082011-01-18T11:18:00.000-08:002011-01-18T11:18:27.389-08:00Filmography (incomplete):<style>
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<div class="Geenafstand"><b><span lang="EN-US" style="font-family: Arial;">For Halas and Batchelor:</span></b></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1940<span> </span>Train Trouble (commercial)</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1940<span> </span>Carnival in the Clothes Cupboard</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1943<span> </span>Abu series</span></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><b><span lang="EN-US" style="font-family: Arial;">For Gaumont British Animation:</span></b></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1944 - 1946<span> </span>Commercials for the cinema and Animaland </span></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><b><span lang="EN-US" style="font-family: Arial;">For British Animated Pictures:</span></b></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1947<span> </span>The Big City <span> </span></span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1947<span> </span>Fun Fair </span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1948<span> </span>Home Sweet Home </span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1948<span> </span>Loch Ness Legend </span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1948<span> </span>Old Manor House </span></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><b><span lang="EN-US" style="font-family: Arial;">For Julius Pinschewer: </span></b></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1949<span> </span>Willie does his stuff </span></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><b><span lang="EN-US" style="font-family: Arial;">For the Toonder Studio’s:</span></b></div><div class="Geenafstand"><br />
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</style> <div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1949<span> </span>Plucky Panda’s penny</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1950<span> </span>Tom Puss and the Loch Ness Monster</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1951 <span> </span>Theodora’s testament</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1951<span> </span>The Next chapter</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1952<span> </span>The Golden Fish</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1952<span> </span>Hugo and the Harp</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1952<span> </span>Hugo in the Circus</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1952<span> </span>Hugo ‘s Garden</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1952<span> </span>Hugo and the House of Europe</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1952<span> </span>Hugo Kraftmax</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1954<span> </span>Moonglow</span></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><b><span lang="EN-US" style="font-family: Arial;">For The Anglo Dutch Group:</span></b></div><div class="Geenafstand"><br />
</div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1969<span> </span>The professionals</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1974<span> </span>7-Up commercial: Hippies</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1974<span> </span>7-Up commercial: Eunuch</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1974<span> </span>7-Up commercial: Kameleons</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1974<span> </span>7-Up commercial: Wijs de weg</span></div><div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">1976<span> </span>High as a Kite</span></div><div class="Geenafstand"><br />
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</div>Jan-Willem de Vrieshttp://www.blogger.com/profile/10899315444045011619noreply@blogger.com0tag:blogger.com,1999:blog-4180830225623203397.post-27577142367345940212011-01-18T08:10:00.000-08:002011-02-07T11:06:01.375-08:00Career overview<div style="font-family: "Trebuchet MS",sans-serif;"><style>
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</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><i>Harold F. Mack (born March 6, 1918 in London) was a British animator and director, who worked for several major animation Studio’s in Europe. He worked for Halas and Bachelor, Gaumont British Animation, British Animated Productions, Julius Pinschewer, and the Marten Toonder Studio’s. Eventually he started his own studio, the Anglo Dutch Group in 1958 in Amstelveen in the Netherlands. He won several prizes with his work and always worked closely with his wife Pamela Mack, who was specialized in color schemes.</i></div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><b>Early days </b></div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">Having an artist for an older brother Harold Mack got interested in drawing at a young age. He won a scholarship and studied art at Harrow Polytechnic. After this four year education he got a job at the advertising agency Gordon Lawrence. He started at the bottom by cleaning paint buckets for five pounds a week. In those days he first met with John Halas who rented space in the same building. At that time Halas had not yet started his own studio. </div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">Harold Mack then went to work for Lord and Thomas, one of the world's largest advertising agencies in those days. But the studio had to re-organize when World War II started and Mack was one of those who had to leave.</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><b>Halas and Bachelor</b></div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">By then John Halas was developing an animation studio with his wife Joyce Bachelor and he asked Harold Mack to work for him. Mack worked on several Halas and Bachelor productions in the early nineteen forties. Among them were <i>Carnival in the Clothes Cupboard</i> (1940) and the commercial <i>Train Trouble</i> (1940). In this period Halas and Bachelor also created several films for the Ministery of Information. Mack worked on many of them, including the antifascist <i>Abu</i>-series.</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><b>Gaumont British Animation</b></div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">In 1944 Mack was asked to join a new studio that was formed by producer J. Arthur Rank. Rank wanted to set up an animation business in England that had to compete with the American cartoons. For this purpose he asked Disney-director David Hand to come over to the Moor Hall Studio in Cookham. Hand agreed and and got together animators from all over the country. He also provided training programs for the animators and here Mack learned a lot about animation from people like Ralph Wright, John Reed, Ray Patterson and Hand himself. Mack became a head animator and worked on commercials and the <i>Animaland</i> series. After two and a half years however he felt exploited and left. </div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
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</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">Mack teamed up with former Max Fleischer animator George Moreno to work on his short-lived <i>Bubble and Squeek</i> series. Mack directed cartoon shorts, such as <i>Big city</i> (1947) and <i>Old manor house</i> (1948). He met with animator Pamela French, who was a much talented color specialist and the two got married. </div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
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<tr align="left"><td class="tr-caption"><div class="Geenafstand"><span style="font-size: x-small;"><i>Harold Mack working at the </i>Bubble and Squeek<i> series. </i></span></div></td></tr>
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</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><b>Julius Pinschewer</b></div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">After two years Mack again decided it was time for a change. He had always felt somewhat detained on the British island and realized that his career had been influenced by foreign animators like John Halas (Hungary) and David Hand (U.S.A.). He now went to Bern, Switzerland to add another foreign mentor to his list: Julius Pinschewer. Harold and Pamela Mack worked for Pinschewer on the short <i>Willie does his stuff</i> (1949).</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
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<tr><td style="text-align: center;"><img border="0" height="244" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiyIdfU2D__RJa_zEcK-yxz7l46g0-x7YirXGU8TSAkb9rRTidCd6suYP9Y5_oNWBXoo4aZkb0EEDcppj_Ch-t30XUvM9APf9cXhci-12bSuHd5Lq9qYA74_0t3ggSqeN4gLrV7GzwbkxU/s320/Mack+bij+Pinschewer.jpg" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr>
<tr align="left"><td class="tr-caption"><span style="font-size: x-small;"><i>Harold Mack at work for Julius Pinschewer. </i></span></td></tr>
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</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><b>Toonder Studio’s</b></div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">Then Mack learned about the plans of Dutch cartoonist Marten Toonder to create a full-length animated feature in Amsterdam. Harold and Pamela Mack visited Toonder, who at that time had just lost almost his complete animation staff to another studio. Mack was hired on the spot and together with Toonder he slowly started to rebuild a new animation department.</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><style>
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<div class="Geenafstand"><span lang="EN-US" style="font-family: Arial;">The first Toonder-productions that Mack worked on were Plucky Panda’s penny (1949) and <i>Tom Puss and the Loch Ness Monster</i> (1950), two short subjects that made use of cutout techniques. </span></div></div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">Their following collaboration however, took the animated film to a next level. In <i>The Golden Fish</i> (1951) Toonder and Mack wanted to create a cartoon feature that was not based on a range of gags as many American cartoons were. <i>The Golden Fish</i> became a rather poetic and even philosophical short. It was based on a poem, written by Jan Gerhard Toonder, who found inspiration in eastern philosophy. The film was shown at festivals in Edinburgh and Venice, where it was well received. Since the film differed from standard American cartoons, critics hailed it as fresh and innovating. </div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">Then the animation department at the Toonder Studio’s was joined by animators Børge Ring and Bjørn Frank Jensen from Denmark. With Mack as director they collaborated on Hugo, a series of six shorts, created to re-educate Germany after the war. A circus figure, named Hugo learned the importance of co-operating with others. Hugo represented Germany, while the other circus characters represented other European countries. The series were created for the Marshall Plan and designed by American animator Philipp Stapp. </div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">Most of the time Mack and his colleagues worked on commercials for the British and German television, but Marten Toonder also assigned them to create another independent short subject, titled <i>Moonglow</i> (1954).</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">Through his contacts with an agent in England, Harold Mack was responsible for a great deal of commercial assignments at the Toonder Studio’s and in 1958 he and Pamela decided to leave and begin their own studio. </div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><b>The Anglo Dutch Group</b></div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">With assignements coming in from England Mack started the Anglo Dutch Group, his own animation studio in Aalsmeer in The Netherlands.</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">His work consisted most of commercials, but on occasion he also created political cartoons for the Ed Murrow Show. Mack won Clio Awards for his television commercials <i>The professionals</i> (1969) for Firestone tyres and <i>Hippies</i> (1974) for 7-Up. His commercial <i>Hippies</i> also won Awards at the International Broadcasting Awards Festival in Hollywood and the Irish Advertising Awards Festival in Kinsale. He also won awards for <i>Wijs de weg</i> (1974), <i>Eunuch</i> (1974) and <i>Kameleons</i> (1974), also for 7-Up. </div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">Harold Mack tought animation to his young employees Bill Karstens and Rupert van der Linden and to a new generation of Dutch animators, including Ronald Raaymakers. </div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">On one night Harold and Pamela Mack were driving home, when they were hit by a milktruck. Mack ended up in the hospital and needed a hip replacement. During the hospital stay his studio got robbed.</div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;">In 1975 Mack had ideas for an independent short, but near the end of that year he got ill and was diagnosed with cancer. Harold Mack died on December 24, 1975. One of the last films, that he contributed to was <i>High as a kite</i> (1976), a 30 minute film that consisted of live action combined with animated sequences. Pamela Mack returned to Engeland shortly after his death. </div><div class="Geenafstand" style="font-family: "Trebuchet MS",sans-serif;"><br />
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<tr><td class="tr-caption" style="text-align: left;"><span style="font-size: x-small;"><i>Harold Mack in his own studio The Anglo Dutch Group in Aalsmeer (photo taken by Cornelis Kapsenberg in 1974).</i></span><br />
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</div><div style="font-family: "Trebuchet MS",sans-serif;"></div>Jan-Willem de Vrieshttp://www.blogger.com/profile/10899315444045011619noreply@blogger.com4